Oh ho — here comes Stella.
First we see her hand, skimming the 
wall like it’s a new fur coat. “There’s 
the switch!” it says, snapping the 
toggle to the ‘on’ position. The fan goes 
whir, a dim light shines. The other hand 
arrives. They do the short, exciting 
work of removing Stella’s underthings.
“The thing about baths,” says Stell to 
her invisible audience, “is they start 
well before your body touches the 
water.”
She demonstrates: leans her waist 
against the coolness of the sink, closes 
her eyes (the better to appreciate her 
nakedness). Internally, she slips down 
to The Very Pleasant Place, maintained 
explicitly for such moments.
“Hello!” she cries.
At this polite suggestion, Time wanders 
off — puts its feet up on a pink-sand 
beach. Space, also free, breaks apart to 
try new gravities, and to visit unusual climes.
As long as Stella stays in this charming 
space of daydream, neither Time nor 
Space need carry the world aloft on 
endless shoulders. The three of them 
will enjoy their freedom—as they 
should. “It’s necessary,” is the party 
line, in the parlance of Stell.
 
								“What makes life easy?” someone in the audience asks.
A wedding ring, says Stell
A bed with a nice, thick mattress
The principle of sufficient reason
     and, as frequently, sufficient principal
Plus men — though they’re not indispensable. She 
backstrokes, surveying her romantic career, its Diamond 
Jims and Sawbuck Joes.
“In my youth,” she thinks, “I enjoyed them more.” A 
younger, more nuova Stell held dinner parties rapt with 
bawdy philippics against prudery. In her middle years she 
served as discerning editrix, to a hair-raising catalog of 
contes de seduction. Stella, back a ways, had the energy 
for that.
Now she’d rather think in the mornings. Would rather 
compose her correspondence with no interruption. Likes 
to eat what she wants, drink what she likes— unholy 
concoctions of espresso, seltzer, chamomile, cider, 
vodka… a pill if she has something good. Stella wonders if 
she goes a bit far in that regard (see: “Summer of Stell 
and Bourbon, The”).
“I drift on my current,” the Stell concedes, wondering 
whether she actually prides herself on this, or if it’s just 
the way things are.
She stretches her body to its full, exciting length and 
executes a self-taught pirouette. She articulates her 
haiku-like modus. “I obtain money and pleasure where I 
can / and I try not to think too much about / what my life 
is coming to.”
 
								In the cavern beneath the flour sacks and 
saints candles (Maria Novella, Padre Pio di 
Roma, Santa Lazzaro-degli-Armeni-may-He-
rest-his-soul), Stell caught sight of a thing that 
charmed her: a stringy gray tail, ringed with 
mascara-black bands.
The Shopcat – months gone who-knows-where 
– was back at home. It was making a 
celebratory racket, it seemed: barreling back 
and forth, chasing moths through the ancient 
canned goods.
The Shopkeep described the creature’s return.
After running away at that time of year when 
toms are wont to do (and making everyone fear 
the worst) he’d only just showed up — all 
mangy, rude, and gummy-eyed (a look that 
agreed with him, one had to admit).
         “I saw him there outside,” said the 
Shopkeep, “when I opened. Just licking himself, 
and sneering at rats by the garbage can.”
         “He’s back,” was all Stell said, while 
paying for a package of taper candles.
         “Hrrrrow,” confirmed the cat, regurgitating 
a moth.
 
								Waiting for guests, Stella scrawls last night’s dreams down in a 
notebook. An eerie dream-chant catches her ear.
                                        Intaglio… diavolo…
                                        Delusio…seraglio.
She used to keep a microphone by her bed to record her 
nocturnal errands. But in time Stell got so good at recalling her
 dreams, so absorbed in telling them back to herself, that it 
unmoored her from reality. She wandered around at all hours, 
pressing the microphone to her chin, describing ever-minuter 
details. For a while, she couldn’t quite tell who she was, even—
Dream Stell or Day Stell. So she stopped.
The doorbell chimes.
“Stel’Luna.” Her nephew kisses Stella’s hand, a joke that just 
makes Stell’ melt with glee. He gives her a bottle.
“Do you know,” he says, “there was a black mass on your street 
the other night?”
“And why would I know that?” Stell asks. She doesn’t believe it 
for a minute.
“The package store clerk told me. He has a window that faces 
the Hanson house. It was happening in their sunken parlor.”  
The man at the liquor store has An Imagination, Stell thinks. It 
makes the goings-on of this town just a little more interesting. 
She feels good buying her booze there.
“Did they sacrifice something?” she asks.
“The human voice — there was this dreadful high-pitched groan-
chant. He said it looked shabby too, from where he stood.”
“Junior Varsity Satanists,” Stell laments.
As she says this the door swings open with a giddy squeak. A 
cascade of coughing and laughter fills the air, as additional 
figures enter.
“Hello and Welcome,” says the Stell, “I’ve been expecting you.”
 
								The ceiling lights go out.
“In a town that smelled like salt,” Stell said, lighting a lamp of 
cloisonne, “at the end of one Fall, there was a house.”
The living room resembles a clearing now, in the stick-
furniture wilderness of Stella’s rooms. A half dozen people 
are seated… a set-dresser, a singer, Stella’s wan 
Doppelganger from the post office.
“My mother lived there, and was sad in her happy way.
“My father lived there, and was happy in his sad way.
“Our dog lived there, and was glad in it’s glad way.
“And I lived there, neither happy nor sad, or particularly glad,     
          but ultimately more or less willing.
She sips her wine.
“It seemed increasingly like a good idea to make things up, 
to distract myself from the loneliness I felt. I probably got the 
idea because of my mother. She toiled for years on a suite of 
absurdist framing devices that she published for free, in 
loose leaf at the bottom of her purse.
“Also, to amuse the dog I started telling her stories. And 
without excessive ceremony, here is one of them:”
 
								There was an old creature who lived in the sea.
He had big, weedy hands that he used to cover his 
teeth (he had no lips). And he had long, rusty legs 
that were bent-all-in-the-middle.
And of all the places he foraged, his favorite of all 
was this very shore where the harbor’s the coldest, 
the rocks are the sharpest, and the night tides 
exceedingly quarrelsome.
***
At the end of a dark-skied day, when even the 
snowbirds had hidden their beaks in their feathers, 
the creature grew bold (as was its wont). And, 
dragging itself through starless surf (creep-slosh, 
creep-slosh) it peered hungrily up on shore, at the 
windows of an old woman’s house (far more than 
the fair-of-flesh, the innocent tasted good to it). 
Now, it wasn’t long before the old woman heard a 
clicking sound. There was something, it seemed, 
rattling the house’s heavy, Oak front door, prying 
at the ancient latch. Now, she heard the twisting of 
the blacksmithed lock. Now, the floor groaned 
beneath an unknowable weight. Now, those vicious 
teeth appeared before her! The woman screamed 
as the creature leapt upon her hound – a brave-
hearted thing with fur the color of chestnuts –and 
stuffed the dog in its hideous open maw.
Give him back! the woman yelled. She held out her 
hand. I’ll give you anything, she said, whatever 
you will take. She had lost much in her aging life 
and she was no coward. She’d rather die than let 
her friend, the hound, be taken. 
So carefully, and slowly, as if luring an animal with 
a piece of meat, she entreated the creature to 
stick out its long, brown tongue, and to wrap it 
around her wrist. The beast fixed its eyes on 
hers—giving her the dead-eyed look one sees on 
paintings of tyrants, and statues of the tormented. 
Sensing a favorable bargain, the creature granted 
her wish.
In a hideous motion, not unlike a person throwing 
up, the creature spat up the dog (it lay there 
heaving on the floor). And before the poor hound’s 
struggling eyes, and as the tide rasped in its ears, 
the monster metamorphosed: dissolving into a 
slime that drew itself inside the woman: stealing 
inside her peachy cheeks and silvery veins. The 
woman’s mind, in turn, went off to circulate in a 
void some place, where exactly the devil only knows…
***
It’s said that now, in the guise of that sweet old 
woman, the creature stalks on land. You can tell 
because it makes those telltale sounds (creep-
slosh, creep-slosh) as it stalks its prey.
The dog, in case you wondered, ran off and was 
found after many, many days—the better part of a 
month, they say. It had wandered along the shore 
for miles, nearly starved to death, unwilling to go 
in the water or back on solid land. It was only 
when a kindly lighthouse keeper lured it into his 
service that the poor thing had a moment’s rest.
 
								The house is at peace again. Sun rays — a gentle filtering — 
hold up the dim canopy of the sky. Stell puts a plate of chicken 
mince down outside the back door. The roving Shopcat lunges 
from the bushes to devour it.
“Bon appetit,” says Stell.
Straightening the chairs and rugs, her eye lands on a left-behind 
coat. Coats, unoccupied, look eerie, Stell observes.
“Evidence of a struggle,” she whispers now, in awe of the 
kitchen’s dishevelment. She decides to leave the mess. It looks 
correct.
***
“No, no,” she vows, her voice a music-box of tones. “You were 
charming. Everyone thought so.” A guest of Stell’s has called, as 
he sometimes does, to ask if he was rude at the party. Stella’s 
almost always honest.
“I liked it when we danced,” she says. They had proved last night 
that you could tango to Chopin, so long as you did it vigorously 
and destroyed a vase. “It was a cheap one anyway,” Stell 
informs, “the kind that comes free with flowers. I felt towards it the 
sort of ambivalence one feels for tasteless pastries, and boring 
games of cards.”
“OK,” the guest says, mortified. Stell returns to tidying the place.
***
Hours later, in the brightness of high noon, Stell is finally satisfied 
with the way her lair is laid. She positions herself on a daybed 
just so and breathes in slowly. She is ready, at last, to conduct 
herself to the world of Dream; it’s easy for her to get there, since 
she always keeps one foot in that country anyhow.
“Good night, Stell,” her nephew says, dozing on the couch.
“Good night,” Stell calls back faintly. But she doesn’t consciously 
know she’s said these words. She’s already leased herself to the 
next galaxy over. She is beginning to drift on the cosmos: 
becoming a pleasingly tiny speck on the whorl, a rising ember in 
the dark.
“Until we meet again,” she says to the land of the waking. It 
recedes behind her like a departing thought, a peaceful interlude.
“Bye bye Stell,” it seems to respond, gently unhooking from her 
mind’s elaborate train, her comet-trail of days. “It was very nice to 
see you here, as always.”
 
								A person to whom the name Colin Shepherd was legally affixed at birth, Colin Shepherd is the current registrant of colinshepherd.com– an attractive top-level domain for the letter string “colinshepherd,” and a reasonably impressive get, considering how many Colin Shepherds are running around on this fine and busy Internet. According to publicly available records he is likely to remain at that web address through 2022.

After receiving her bachelor’s degree in Visual Media Arts with a minor in Photography from Emerson College, Alexandra Gottlieb made her home in New York City, working in film, photography and—most recently—publishing at Penguin Random House. Her preferred format is medium, her film of choice is anything grayscale, and her favorite editing vessel is the darkroom. She has a particular obsession with photographing hands, high mountains, and the creases of the human body.